Mimeisthai is an experimental screendance that responds to Walter Benjamin’s concept of the ‘mimetic faculty’, which is, the ability to perceive and/or reproduce similarity. This generic skill is possessed by all living things and finds expression on various levels, from the biological to the behavioral; such as in reproduction or camouflage, to the myriad ways that creatures communicate.

In Mimeisthai movements are shared, copied and repeated between performers both on and off-screen, and then amplified across multiple frames. Through duplication, repetition, and layering multiple exposures, this work explores the mimetic faculty of dance and digital video.

Ampe is a high-energy game played by girls in Ghana. It includes jumping, clapping, and an all-around cheer as two teams select a stepping pattern and face off. The innate joy and competitive edge of ampe discloses the desire of girls to be set free unconditionally and feel a range of emotions without judgment.

As the Call, So the Echo follows a young woman in conflict with her inner demons. How does she reckon with her unknown self?