Mathilde

Cinedans in collaboration with Goethe Institut presents Dancing Dreams.

In 2008, one year before her death, legendary choreographer Pina Bausch assembled 40 German teenagers for a unique staging of one of her most iconic dance works, the complex and intimate Kontakthof, created in 1978. In this fly-on-the-wall documentary, none of the teenagers had any previous training. Nonetheless, they show tremendous guts performing this intimate, sometimes excruciatingly raw piece. With energetic fighting and flirting the stage becomes a battlefield of the sexes.

This documentary is an account of the 10 months of rehearsal that proceeded the first performance at Tanztheater Wuppertal. It's a discreet yet revealing look at Pina’s methods and at a likeable group of dedicated young people.

Anyone who likes Pina will want to see it!

Supported by Marquee TV

Ngày Mới’ (A new day has come), is a poetic visual response to the new track “Ngày Mới” of Vietnam-based electronic band Tiny Giant. The film depicts a world in constant motion that opens up when we slumber. Cavernous darkness is a habitat of transit, between worlds and the axis of time. In the heart of this motion, memories, knowledge, sadness and joy will leave their residues without completely disappearing: perhaps they have fallen into another place, another turning of time. The moment of transit in the cave doubles as both childhood and adulthood come to the surface in sync, where we bend closer in proximity to the inner child, the taste of a spoonful of innocence lingering on the tongue. Deity-like characters also appear in the video. They are gods of the filmmaker’s own world turned into images, as any person can have their own interpretation of a god. In this film, God is understood as a provider of support and company, and trust is a form of custody. We trust in the things that can protect and guide us. The eyeless horses, then, appear as mascots and attachment figures that walk with the children towards the world.

Part of the choreography was initially inspired by the ‘Kitsune Wedding’ scene in ‘Dreams’ – a film by Akira Kurosawa, in combination with experimental hip hop moves and the krumping stomps, choreographed and performed by Saigon-based dancer Kim from La Différence Saigon and Hanoi-based dancer Quay Trần from Abnormal Conceptz.

In the process of encountering an abandoned building, multi-disciplinary artist Martijn Klukas playfully tests our perception in a series of parables. Representation, decontextualization, deconstruction and sequentiality in text, image and sound playfully reveal an intuitive body that constantly searches for meaning and expanded connections.