Phuong is released from prison and returns to her home province. She finds Khang, her childhood sweetheart, but no longer recognizes her village. All the small factories in the province have closed, and the big city suddenly bristled with countless skyscrapers. Urban Genesis questions the place left to love when time passes faster than the clouds.

Heartache deploys tensely expressive movement in a darkly playful take on the dynamics of seeing and being seen. Dark humor, sarcastic imagery and expressive choreography conveyed a unique atmosphere to color the interactions between the dancers and their setting.

Two bodies emerge, one of flesh and one of metal. Both are cautious of, yet compelled towards each other. This evolves into a game of hide and seek. Can friendship truly form or will we always be stuck in a limbo of a human vs machine narrative? ?!%$&#@$^()}!@#|%>? is a cry to connect, to be seen by each other and come together. Singaporean filmmaker Clare Chong and movement artist Sonia Kwek are working for the first time with the Bolt, a high-speed camera robot.