Mimeisthai

A figure transitions between two realities: An external material one - in which they are subjected to increasing levels of social interaction - picking up ‘human’ traits as they go. And an internal fluid one - in which they are able to seek refuge to be and feel themselves.

EXT. is centred around the experience of someone trying to figure out what it is to be ‘human’. The film is a reference to our experiences as social animals and the often absurd evolution we go through, to adapt to society.

It also references gender exploration - the journey of an initially gender neutral character, that is increasingly nudged to conform to a binary - in order to fit in - and their escape to a fluid space, devoid of expectations and norms.

The film uses movement instead of dialogue as a means of expression and follows the protagonist on their awkward journey through different surroundings, like an avatar in a computer game.

This is what freedom feels like, baby.” The uncompromising words of musician and writer Mykki Blanco echo over a transcendental parade of a group of empowered queer dancers. A film about the French black queer community taking pride in who they are, what they have achieved, and embracing the bodies they are in. Tajabone takes its name from a unique tradition in Senegal, where in addition to singing and dancing through the streets everyone practices cross dressing through the night.

Table for One, Please is a short film that emerges from rehearsals for the dance theater piece I Should Have a Party for All the Thoughts I Didn’t Say by director Samantha Shay. Exploring the social awkwardness of grief, and inspired by the writing of Anton Chekhov, the project gathers current and former artists of Tanztheater Wuppertal Pina Bausch, as well as the Grotowski Institute-based physical theater company Teatr ZAR, as a reflection on the lineages of Polish Jerzy Grotowski and German Pina Bausch, their relationship and how their work resonates today.