Under the Sky of Fetishes responds to the complexity of colonial archives. It reinvents the specters of a haunting gaze to tell the story of Mauritian sega – a cultural practice born during colonization and slavery, now mainly seen in tourism. How do we project, literally bring out of ourselves, the narrative of the oppressor? Mixing fiction and ethnography, the film sanctifies the power of the projection as a mental as well as intimate enigma to release ghostly and alienated bodies, including our own.

A figure transitions between two realities: An external material one - in which they are subjected to increasing levels of social interaction - picking up ‘human’ traits as they go. And an internal fluid one - in which they are able to seek refuge to be and feel themselves.

EXT. is centred around the experience of someone trying to figure out what it is to be ‘human’. The film is a reference to our experiences as social animals and the often absurd evolution we go through, to adapt to society.

It also references gender exploration - the journey of an initially gender neutral character, that is increasingly nudged to conform to a binary - in order to fit in - and their escape to a fluid space, devoid of expectations and norms.

The film uses movement instead of dialogue as a means of expression and follows the protagonist on their awkward journey through different surroundings, like an avatar in a computer game.

In the process of encountering an abandoned building, multi-disciplinary artist Martijn Klukas playfully tests our perception in a series of parables. Representation, decontextualization, deconstruction and sequentiality in text, image and sound playfully reveal an intuitive body that constantly searches for meaning and expanded connections.