To be able to live in Bogotá, you need a skin that can adapt, that can turn reptilian when it doesn't stop raining for weeks and that can go soft when the woman in the corner shop gives you a free morning coffee. Thick Skin is a dance film that takes the viewer through the Colombian capital, high above the Andes, with stylized movement that speaks of life in the bustling city.

A figure transitions between two realities: An external material one - in which they are subjected to increasing levels of social interaction - picking up ‘human’ traits as they go. And an internal fluid one - in which they are able to seek refuge to be and feel themselves.

EXT. is centred around the experience of someone trying to figure out what it is to be ‘human’. The film is a reference to our experiences as social animals and the often absurd evolution we go through, to adapt to society.

It also references gender exploration - the journey of an initially gender neutral character, that is increasingly nudged to conform to a binary - in order to fit in - and their escape to a fluid space, devoid of expectations and norms.

The film uses movement instead of dialogue as a means of expression and follows the protagonist on their awkward journey through different surroundings, like an avatar in a computer game.

A woman walks slowly through a dark, untouched forest. She is following someone in the distance, someone she can’t quite make out. Or is the other actually following her? Too late, the woman regrets a desperate attempt to escape her pursuer. As she starts to understand and approaches the point of no return, she is lured into making a dire decision.