In an arresting procession, a group of non-conforming people – from musicians, artists and poets to anti-military activists, environmentalists and diasporic, queer and trans people – carry a coffin through the ruins of an abandoned resort on Jeju island in South Korea. By performing a burial, they come together to undo a world order built upon hierarchy and division. By performing this ritual, time and place begin to lose their stability as mythical Dokkaebi deities pass through the building and heavy rain and wind blow through its cavities.

An allegorical film based on the news photos of refugees. Reality is often more absurd and bitter than you could have ever imagined. We are inundated with images that make us jaded in a certain way and our conscience has become a casual phenomenon of our time: today it is here, tomorrow it is gone.

The film is accompanied by a performance by artist Miloushka Bokma.

A woman enters a Synagogue and is transported to the parallel universe of all her ancestors who do not let her leave until she participates in their dances and rituals. The film is inspired by Gabri Christa’s first time visiting the Neve Shalom in 2000 where she was overwhelmed by the building and the emotions it brought to her. It spurred her into researching her Surinamese father’s lineage, which revealed that she had indeed also Jewish ancestors. As the famous Surinamese writer Cynthia McCleod says “when you shake your family trees, a few Jews fall out”.