'The Key Is' focuses on the idea of wanting to leave a space before one is ready. We see a dancer wanting to pass through this space but then quickly come to realise that they are not in control of this decision. In order to unlock the door, they have a lesson to learn. They need to embrace their whole self, including the ugly and dark parts. It is not until they honestly welcome a darker sense of themselves that they are allowed to leave. This story is portrayed through contemporary, street dance and krump movement that is brought alive though dancer, Ooshcon.

A figure of a black Tito appears in the big and empty underground structure of a former silo in Tamale, Ghana. He visits the people of the country by plane and rickshaw to spread his message and joins the Parliament of Ghosts in session. An artistic interaction between NAM – Non Aligned Movement by Christian Guerematchi and the Parliament of Ghosts by Ibrahim Mahama. Both works speak about forgotten histories and the contemporary echoes of the cultural connections from the time of the Non-Aligned Movement between Ghana and Yugoslavia – Nkrumah and Tito.

Carried in Silence is an extract of a relation between a mother and a daughter. Through contemporary dance and classical music the film speaks about intergenerational trauma and suppressed emotions, carried in silence. The chain of generations is also reflected in the music of the film, composed by Isabella Leonarda in the 17th century – one of the few female composers of her era.