A collaboration between Icelandic multi-instrumentalist Ólafur Arnalds and filmmaker Vincent Moon, When We Are Born is a journey about rituals, relationships and our inner landscapes. Filmed in Iceland in the summer of 2020 and based partly on Ólafur’s life, the work ultimately focuses on how we all move forward; a theme made especially potent in the times of disconnection and isolation it emerged from. The music of the film was recorded live on location and interpreted by choreographer Erna Ómarsdóttir and the Iceland Dance Company.

Around its own axis showcases the infinite, repetitive rhythm of the automated Dutch agricultural landscape. Machines perform a dance, while choreographer Pauline Roelants, in the language of her profession, guides the viewer through the scenes. Thus, the silences and tranquility of the landscapes, interacting with the impulsive actions and mistakes of the machine, become an integral part of the choreography.

Mimeisthai is an experimental screendance that responds to Walter Benjamin’s concept of the ‘mimetic faculty’, which is, the ability to perceive and/or reproduce similarity. This generic skill is possessed by all living things and finds expression on various levels, from the biological to the behavioral; such as in reproduction or camouflage, to the myriad ways that creatures communicate.

In Mimeisthai movements are shared, copied and repeated between performers both on and off-screen, and then amplified across multiple frames. Through duplication, repetition, and layering multiple exposures, this work explores the mimetic faculty of dance and digital video.